0:15
1:52
Food as grotesque, red as danger, and an autonomous/artistic camera
COM01-Intro, Combination of Visual Motifs
2:13
2:40
The former chef is forced to eat shit.
GRO01-Chef Forced to Eat Shit
10:50
11:0
The food in the trucks are grotesque still lifes.
GRO02-Food in Trucks as Grotesque Still Lifes
66:14
66:43
Albert force feeds William before kicking him out.
GRO03-Albert Force Feeding William
72:50
73:6
Albert stabs Patricia with a fork.
GRO04-Patricia Stabbed with Fork
74:25
74:37
The food rots inside the trucks.
GRO05-Rotting Food Inside Trucks
77:50
78:22
Richard puts Georgina and Michael inside the food trucks.
GRO06-Richard Puts Georgina and Michael in Food Trucks
84:46
85:44
Albert forces Pup to eat buttons.
GRO07-Albert Forces Pup to Eat Buttons
90:11
90:40
Mitchell stuffs Michael with pages from his books.
GRO08-Mitchell Stuffs Michael With Book Pages
116:44
117:37
Food as Grotesque
Michael becomes the main dish.
GRO09-Michael Becomes Main Dish
18:28
18:50
The red light in the bathroom highlights the danger of the affair.
RAD01-Bathroom's Red Light
28:49
29:7
The red light stays on Michael while Albert and Georgina leave.
RAD02-Albert and Georgina Leave/Red Light on Michael
32:18
32:55
When Georgina and Michael go into the kitchen, red is present, but is hidden.
RAD03-Georgina and Michael in the Kitchen
34:33
35:41
When Albert enters the kitchen, red is apparent, yet not overwhelming.
RAD04-Albert Enters the Kitchen
65:58
66:15
The red light intensifies before Albert attacks William.
RAD05-Red Light as Albert Attacks William
68:43
69:45
The red hues of the kitchen highlight Patricia's knowledge of the affair.
RAD06-Red Signals that Patricia Knows
73:6
73:50
Albert is highlighted in red once he discovers the affair.
RAD07-Albert Discovers the Affair
76:42
77:18
Red as Danger
Red is apparent in Albert's breakdown, yet pacifies to green.
RAD08-Albert's Breakdown, Red to Green
83:54
84:12
Red as Danger
Pup's attack outside is marked by a red uniform and a red light.
RAD09-Red During Pup's Attack
89:52
90:27
Albert is in brown hues while Michael is given a red book and red blood.
RAD10-ALbert Brown, Michael Red Book and Blood
94:2
95:2
Georgina is associated with red, while Albert is given a softer light.
RAD11-Georgina in Red, Albert in Soft Light
97:2
97:43
Albert receives an intense red light while discussing Georgina.
RAD12-Albert in Red Light
98:0
98:54
Albert's red light is taken away and given to Richard.
RAD13-Richard in Red Light
102:38
103:21
Georgina is in a redish light when she asks Richard to cook Michael.
RAD14-Georgina Asks Richard to Cook Michael
114:37
115:56
The funeral procession is marked by a red light, which pacifies to white.
RAD15-Funeral Procession, Red to White
118:5
118:43
Georgina receives the gun while bathed in a red light.
RAD16-Georgina Receives Gun While in Red Light
4:49
5:44
First transition from blue to green; Anticipation of seeing Pup.
AAC01-Blue/Green Transition
12:39
14:1
The camera does not follow anyone, but anticipates Albert's table.
AAC02-Camera Anticipates Albert's Table
19:5
29:24
Transition from the bathroom to the hallway; Anticipation of Michael.
AAC03-Bathroom to Hallway, Anticipating Michael
43:7
43:43
Transition from the kitchen to the outside; Anticipates the car.
AAC04-Kitchen to Outside, Anticipating the Car
45:29
47:47
Transition from the affair in the kitchen to Albert's table.
AAC05-Transition from Kitchen to Table
55:58
57:28
Complex series of transitions that focus on Albert and Georgina.
AAC06-Transitions Focusing on Albert and Georgina
71:7
72:11
Complex series of transitions from the outside to the restaurant; Closer angle; The restaurant receives a 90 degree shift.
AAC07-Transitioning from Outside to Restaurant
110:32
111:54
The camera leaves Georgina, only to end on Francis Hals' "The Banquet of the Officers of the St. George Militia Company."
AAC08-Camera Leaves Georgina, Francis Hals
119:32
120:53
Combination, yet complication, of motifs
COM02-Combination of Motifs, End